Search: Starring Brad Pitt

One of this year's must-see films, this is not simply a worthy tribute of a subject too often ignored by Hollywood; it's also a remarkable piece of cinema in its own right.

Gray's film is so visually stunning in places, you'll wish that Roy would pipe down a bit and let you enjoy it.

It is a character piece, an actor’s picture, supremely atmospheric and secure in its knowledge of place and time.

Assisted by the remarkable cinematographer Rodrigo Prieto, Iñárritu moves seamlessly from the arid isolation of a Moroccan village to the gleaming modernity of Tokyo to the colorful chaos of Tijuana, his camera alternately capturing scenes of hope and des

Babylon is disgusting, muddled in intent, absurd in its trajectory and at times baffling in its tonal choices. And yet I would not call a moment of its 189 minutes boring.

Christian Bale delivers his best performance for years as fund manager Michael Burry.

It is not as though we have not seen this sort of comic crime-gone-wrong chaos from the Coens before, but there is no-one who does it better.

The Pittster does do his best with a restrained and mature performance, but he's about as shackled by Benjamin's condition as the character is.

Seated in the front-row of the cinema, it's hard not to lean into corners. Once you're committed to that the rest follows.

At a time when safety is the key to Hollywood's washroom, David Fincher places a bomb under the plumbing. Expect to be shocked, freaked, thrilled and gutted.

Ayer’s film doesn’t really have the script or plot to back up all the hardware.

The film has a lot of energy and plenty of appealing characters but it's poorly paced with too many subplots.

Imagine all the Terrible/Awesome Clichés That Could Happen In The American Wilderness and construct a mental bingo card to tick them off. Spoiler warning: There's a good chance you're going to get a full house.

Graphic violence is mixed with tongue-twisting wittiness in Tarantino’s peerless signature style.

The relish with which Tom Cruise delivers even the most awful lines is quite engaging.

Made as a future cult classic.

It's hard not to recommend Killing Them Softly as there is plenty of Tarantino-esque vim to its icy world of contracts and crims, but the mix of styles and muddled message ultimately rob the film of greatness.

The pace of the film would not startle a snail.

Gore Verbinski treats the whole thing as a romp.

Megamind’s developmental path is less about following a cookie-cutter moral compass than it is about good old-fashioned character development.

While the film does rattle through these pillars of the underdog sports movie narrative, it does so with an element of class, a helping of humour and a knowing wink.

The concept is halfway interesting, the production so overburdened with explosive devices it might have been made in Iraq and the screenplay is as appetising as damp toast.

Twelve is the new 11 and mediocre is the new good.

The plot may be off the credibility charts, but while you're in it you're loving it.

If ever a film seemed aimed squarely at a family matinee audience, this is it.

Tarantino's on good form but there are moments in the middle of the 165-minute marathon where it flags before mustering for its finale.

The plot would confuse an intelligent bat.

Se7en is filthier than a dead stray dog at the bottom of a New Jersey toxic waste dump.

Snatch is way over the top, like Lock Stock was, only second time around it doesn't feel so fresh.

Intricately plotted, by no means predictable and genuinely exciting.

Another victim of the style over substance genre.

The fact that this film still gets people talking, and arguing, nearly 20 years on, is surely an argument for its quality and relevance.

A stunning film, Malick's greatest work to date.

Ultimately, there is no depth to the drama and precious little soul.

Though it's certainly a powerful piece of work, it doesn't always seem sure of its own convictions.

"Mother Nature is a serial killer," someone says, and it doesn't sound cheesy because the action smashes through the walls of scepticism and highjacks your logical mind